The world of "Zombieland" is desolate and filthy, yet still amazingly funny. It caters to Black Comedy number #1- fill the movie wih grime and gore, but keep it distanced from reality to keep the viewers from getting too uncomfortable. It's like Cillian-less 28 Days Later without the rape, if Danny Boyle had been going for funny instead of disturbing.
The characters of this film have given up on name, it appears, as they are known chiefly as their hometown. The hero, Columbus, is played by Jesse Eisenberg, a young actor best known as the non-masturbating older brother in Noah Bambach's "The Squid and the Whale."
Columbus opens the film with a deadpan narration, saying that his country can no longer be considered America, because "something needs living people to be a country, and everyone here is dead." Seemingly literal, as the only people we come into contact with for the first ten minutes at present time besides Eisenberg are raging, brutal corpses.
There is a set of rules, Columbus says, for one to stay alive in the area, to avoid becoming a 'human happy meal.'. The viewer is shown bloody clips of potential survivors who broke these. Fasten your seat belt. Don't be fat and out-of-shape. Pay attention to where you are, and where the undead are. Finally, don't get close.
Having lived in isolation before the virus, he is to some extent used to being alone. He also seemed a prime candidate for obsessive-compulsive disorder, carefully staying away from his fears before there was really anything to be afraid of. His encounters with the apocalypse begin in a flashback, when he allows an attractive girl who has been attacked to take refuge, and she tries to eat him.
In the present day, he decides to head to his home town looking for any surviving family. On the way, he is surprised to find another survivor. This is Tallahassee (Woody Harrelson,) a macho guy who's made it his goal to kill every zombie he can get his hands on.
His other goal drives him to raid Hostess trucks by the side of the role, desperate of a Twinkie- a scrap of normalcy in a life that's gone of the deep end. They join up, though Tallahassee's on a revenge kick and Columbus would just as soon keep as far away from the undead as possible.
The rest of "Zombieland"'s short duration revolves around the duo's cross-country trek to find an apparently safe haven when Columbus family plan goes through the roof. The are accompanied by two at first innocent-seeming sisters who have a knack for getting the best on any situation (Abigail Breslin and Emma Stone, who wears eye make-up incredibly unblemished by zombie attacks.)
Woody Harrelson fits comfortably into his subtly sensitive character, while Jesse Eisenberg takes his role as the droll, paranoid Columbus completely straight, installing with the character's seriousness an almost gravity into the ridiculous plot.
The best thing about "Zombieland" is that the director, with all his fervor making the most disgusting zombies imaginable, doesn't forget to add an interesting feel for it's living protagonists. In fact, Tallahasee and particularly Columbus are cleverly conceived, though it seems the female's characters are skimmed over somewhat.
Along with the wit, though, is the very common tough girl and sensitive guy tension, which wasn't original 28 Days Later, let alone this one. It seems that people are still feeding the feminist issue, and find aggression in girls almost endearing.
I suppose that I wasn't expecting how short "Zombieland" was, but all the same I found the ending somewhat abrupt. It's the kind of conclusion that seems awkwardly unfinished, and leaves you saying "is that all there is?" to a black screen.
All the same, I left the theater amused and happy, and appreciated an enjoyable movie that just seemed a little too clipped. It may not be the first zombie-themed comedy of late, but it deserves it's place next to "Shaun of the Dead" as an entertaining, witty comedy in horror's clothing (Rated R.)
The characters of this film have given up on name, it appears, as they are known chiefly as their hometown. The hero, Columbus, is played by Jesse Eisenberg, a young actor best known as the non-masturbating older brother in Noah Bambach's "The Squid and the Whale."
Columbus opens the film with a deadpan narration, saying that his country can no longer be considered America, because "something needs living people to be a country, and everyone here is dead." Seemingly literal, as the only people we come into contact with for the first ten minutes at present time besides Eisenberg are raging, brutal corpses.
There is a set of rules, Columbus says, for one to stay alive in the area, to avoid becoming a 'human happy meal.'. The viewer is shown bloody clips of potential survivors who broke these. Fasten your seat belt. Don't be fat and out-of-shape. Pay attention to where you are, and where the undead are. Finally, don't get close.
Having lived in isolation before the virus, he is to some extent used to being alone. He also seemed a prime candidate for obsessive-compulsive disorder, carefully staying away from his fears before there was really anything to be afraid of. His encounters with the apocalypse begin in a flashback, when he allows an attractive girl who has been attacked to take refuge, and she tries to eat him.
In the present day, he decides to head to his home town looking for any surviving family. On the way, he is surprised to find another survivor. This is Tallahassee (Woody Harrelson,) a macho guy who's made it his goal to kill every zombie he can get his hands on.
His other goal drives him to raid Hostess trucks by the side of the role, desperate of a Twinkie- a scrap of normalcy in a life that's gone of the deep end. They join up, though Tallahassee's on a revenge kick and Columbus would just as soon keep as far away from the undead as possible.
The rest of "Zombieland"'s short duration revolves around the duo's cross-country trek to find an apparently safe haven when Columbus family plan goes through the roof. The are accompanied by two at first innocent-seeming sisters who have a knack for getting the best on any situation (Abigail Breslin and Emma Stone, who wears eye make-up incredibly unblemished by zombie attacks.)
Woody Harrelson fits comfortably into his subtly sensitive character, while Jesse Eisenberg takes his role as the droll, paranoid Columbus completely straight, installing with the character's seriousness an almost gravity into the ridiculous plot.
The best thing about "Zombieland" is that the director, with all his fervor making the most disgusting zombies imaginable, doesn't forget to add an interesting feel for it's living protagonists. In fact, Tallahasee and particularly Columbus are cleverly conceived, though it seems the female's characters are skimmed over somewhat.
Along with the wit, though, is the very common tough girl and sensitive guy tension, which wasn't original 28 Days Later, let alone this one. It seems that people are still feeding the feminist issue, and find aggression in girls almost endearing.
I suppose that I wasn't expecting how short "Zombieland" was, but all the same I found the ending somewhat abrupt. It's the kind of conclusion that seems awkwardly unfinished, and leaves you saying "is that all there is?" to a black screen.
All the same, I left the theater amused and happy, and appreciated an enjoyable movie that just seemed a little too clipped. It may not be the first zombie-themed comedy of late, but it deserves it's place next to "Shaun of the Dead" as an entertaining, witty comedy in horror's clothing (Rated R.)
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